Thoughts On Holloway

From - 28dayslater - Holloway Prison 2017

From - 28dayslater - Holloway Prison 2017

On June 7th, the studio’s Sarah has been invited to join a discussion about the proposed women's building on the site of Holloway prison.

Some thoughts ahead of that…

Holloway, at the time of it’s closing,  the largest women’s prison in Europe, was founded built in 1852 with the intention of being  “a terror to evil-doers”,  known locally as ‘The Camden Castle’. It became female only in 1903, coincidentally the year that Emmeline Pankhurst founded the Suffragette movement.  By the time it closed in 2016, it housed up to 500 women at any one time.

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My interest in prisons, is related to a wider interest in systems of confinement for mental illness, as the history of the asylum is at times closely linked to that of the prison.  The idea of removing liberty from people, confining them, as a form of punishment dates back to the ancient world.  Mass confinement became increasingly used as a form of control in western societies from the 18thcentury onwards.  Together with the asylum, the prison was a way of separating people, deemed harmful, from society.  Prison with it’s additional element as a system of punishment replaced even more barbaric penal practices such as public executions and floggings for even petty crime.  The modern prison was in fact intended as more humane, a form of punishment that allowed for reform and redemption.

Prison along with the asylum, formed part of what Foucault called systems of control and was way of managing, on a grand scale, both  criminals and the mentally ill, though often this would encompass outcasts, perceived social misfits and those who refused to conform.  Both were used to confine those who did not fit societal norms, what Lisa Appignanesi calls the Mad, Bad and Sad.  These often the poor and the powerless,  (certainly the poor would spend longer in prison because they couldn’t afford bail). Very frequently women, who had fallen into poverty and today women of colour are also overrepresented in the penal system.  

The relationship between prisons and mental illness is an interesting one, which has shifted over time, but today in the UK some 25% of female inmates have a mental health problem, including those indicative of severe mental illness such as psychosis, which compares with 15% in the general population.  Many should arguably be in a place of safety, rather than a prison. 

Women find themselves in prison for many reasons, systemic inequality and the accompanying precarity sees many spiral into criminal behaviors ,  or behaviors which are increasingly criminalized, often due to financial insecurity, something such as not paying a council tax can land people in prison. Women also find themselves in prison for refusing to conform to society, pushing boundaries has also been something that has led to women being imprisoned. The suffragettes, some of Holloway’s most famous inmates, are of course a examples of this.

Prisons hide societies failings to care and protect people, it swallows up those who fall through the cracks, and are often black holes to which people are lost rather than places in which they are redeemed.

 

The prison closed in 2016, as part of the government’s plan to replace ‘victorian’ prisons in London.

In that same year Sarah Reed a mixed race woman who suffered from paranoid schizophrenia, would die there, found hanging in her cell.  In many ways her life typifies the stories of those who find themselves in the criminal justice system.  She had fallen into the system after the loss of a baby saw her mental health deteriorate and the onset of this illness.

Following the enquiry into her death.  Deborah Coles of Inquest said: "Sarah Reed was a woman in torment, imprisoned for the sake of two medical assessments to confirm what was resoundingly clear, that she needed specialist care not prison. Her death was a result of multi-agency failures to protect a woman in crisis. Instead of providing her with adequate support, the prison treated her ill mental health as a discipline, control and containment issue." Women often find themselves in prison because of such precarity.

The Women’s Building

So, the women’s building presents an opportunity.

Firstly to remember the history it represents, which is  valuable social history, from which we can learn. This building should provide a lasting legacy. It could tell the stories of the women who once lived here, be a repository of Womens’ Histories. It’s  a chance to symbolise a new social commitment towards women.

The women’s building could be an inversion of everything that prison represents.

It is an opportunity to address the unique needs in women’s lives.. It could offer support rather than punishment. Supporting social change, fostering community.  It could give time rather than take it, in the form of education programsand  extension of family networks for those that do not have them.  I could be a way of keeping people out of our of prisons. Existing fragments could be preserved and repurposed as a way of remembering. The project could be an exemplar of co design, if allowed, and should feature a strong representation from female voices.

Perhaps  this building could represent a City or society of Women become a modern women friendly society and a place of safety.

Challenging the systems that frustrate women’s progression and indeed at times their very survival in our  society.

What will happen to our city centres?.

Image Credit ©Sarah Akigbogun

Image Credit ©Sarah Akigbogun

Over last few weeks I have ventured into the centre of town on the odd occasion, just see for myself the emptiness I've read and heard about in news reports. On these trips I have found desolate streets, Christmas decorations eerily still it place in March, and unexpected void spaces.

One of those voids has been left by Topshop, which of course made headlines when it failed. However, I had not expect to find, that for example, Habitat, another iconic fixture the West End, which occupied the same spot for decades had disappeared. It leaves not just a void on its own shop floor but also in the space between it and Heals, which once buzzed with people and was itself occupied by a small retailer. "I can't believe it's gone” , remarked a shopper, as I took out my phone to take a hasty picture (note to self...always travel with the Fuji Xpro...in case of moments like this). “ It's been here since I was a child, in the 70s”, he said. Similarly I cannot remember a time what that corner was not occupied by Habit. Not far down the road one of my favourite stop offs, former Tap Coffee had disappeared entirely. I had not been prepared for that.

All three of these stores form part of my memory of London...Tap, a stop off when I visited the centre for meetings, pre-pandemic. Habitat was a fixture during my time at the AA, and I still have items, student flat throws and such like, bought there back then. And Top Shop...the source of countless party outfits...back in the day... So what will happen to these empty spots? Topshop had already caught on to the need to offer more that retail, and it would be interesting to see them given over, at least briefly to some, slightly anarchic meanwhile spaces...but let’s see.

Studio Director - Sarah Akigbogun

Speaking at Black Lives Matter Wandsworth

Photo Credit Taylored Photography.

Photo Credit Taylored Photography.

The second half of last year was a whirlwind, so much happened, time seemed to sweep by. In the midst of all that was happening there was some things we didn’t quite manage to share but which seem worth remembering. One of those was speaking at a Black Lives Matter gathering in Wandsworth. The studio’s Sarah was invited by the local group to speak to a young audience about how the built environment is a critical part of the conversation around social justice.

Our cities belong to all of us.

Sarah Akigbogun 17.07.20

Our cities belong to all of us.

For many of us, they are where we build our dreams, make our memories…

Have our families.

They are the backdrop to our lives.  

And they are places where we should be able to breath.

Places where all of us can grow and thrive.

And so all of us, should see ourselves in those that create them.

Access to decent Space is a right, and  should be equitable.                                                                                                     

And that is why I am here today,  to encourage you to consider being part of that process.

Making sure you have a say…making sure your vision, your needs, your heritage,  are part of what shapes our future cities.

I am an architect, so part of what I do is about making cities.

I can count on one hand the number of times I’ve worked with someone who looked like me. I have worked in an office where I was the only black woman in a thousand. This won’t be the first time you’ve heard a black woman talk about being the only one in the room.   I believe empathically that we  need to be in the room where the decisions are made. That we need to smash through the glass, and indeed the concrete ceilings.  We need to do that to bring about change.

I am not going to pretend it’s easy: My own journey, may be in some parts familiar.  I am the daughter of West African parents who met in this city [London]. This is where I was born. I consider it my home. My journey into and within architecture has not been simple or easy, there have been challenges but despite that I was lucky to go to great schools and work in leading offices

I try not allow myself to be invisible – I speak up, I make sure my voice is heard. By doing that we can bring powerful things  to the table.

I know it is not that simple. That there are structures, societal barriers, that keep people like me out of those rooms and that we need to continue to push to bring those down, and to keep banging on the doors of exclusion. I know many of you are already doing that. And I want to encourage you to continue to make sure your voice is heard in this space too.

All our voices matter!

We all need to be heard in the process of making and changing the places where we live.

Many thanks to Black Lives Matter Wandsworth and to Jane Brigenshaw and Leonie for the Invitation.

 

Note: The recent CRED report, has minimised the importance of structural racism in affecting the access of ethnic minorities to the professions.  The profession of architecture is still one which still presents barriers for many, on the basis of gender, class,  and yes race.  These issues do intersect,  however structural racism is still a prevalent force in our society, limiting the opportunity of many. If young people are bashing at those concrete ceilings, then then society needs to be creating ways of tearing them down.  It is not enough to simply tell individuals to ‘try harder’.

"Brighter Days Are Coming" - The Power of Sharing With WIA

Looking back on the ‘Power of Sharing’ WIA’s Parlour Insta take over and LFA digital event this summer.

‘Brighter Days Are Coming’ © Sarah Akigbogun

‘Brighter Days Are Coming’ © Sarah Akigbogun

BC:AC Before Corona : After Corona. Life will never be quite the same.

The current period is unprecedented in most of our living memories.

It's effect on society will be profound and perhaps long lasting. Women In Architecture and Appropri8 are collaborating to collect and share stories of this time and create a digital repository for our memories.

On Friday July 3rd Women In Architecture and Appropri8 collaborated to collect and share stories of this time and to create a digital repository for our memories. We came together online for an evening to share performances and stories about the global pandemic, lockdown and the themes it raises.

The stories were shared at Women In Architecture’s LFA digital event, curated by studio director Sarah Akigbogun and WIA’s Parlour Insta Takeover, on which we worked with curator Tanisha Ruffiunden at Concept Culture.

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